SAM ROUNDTABLE MEETINGS

Cinema and Philosophy

Serdar Öztürk

Thursday, November 22, 2018 5:00 PM Salon: ŞAKİR KOCABAŞ SALONU

• The Concept of Circle of Justice: Its Genesis and the Basic Elements
• Ottoman Philosophical Legacy
• Philosophy of Death
• Toz Ruhu Movie Talk
• Political Philosophy of Farabi: Its Origins and Originality
• Divine Perfection in terms of Philosophy of Religion
• Babanzade Ahmed Naim as a Member of Darulfunun Philosophy Department
• Law and Morality: Bounded or Distinct? An Argument on Hart
• Dream (Rüya)
• The Problem of Meaning in Literature, Music and Calligraphy
• Mutual Origin of Art and Philosophy: Techne in Platon
• Album
• The Apprentice (Çırak)
• Ethical and Political Thougth of Taşkoprizade
• The Idea and Practice of Justice in the Ottoman Empire
• Entertainment Culture of Ottoman Istanbul and Karagöz
• Cold of Kalandar
• Symbol and Metaphor in Paul Ricoeur’s Philosophy
• Critique of Mimesis in Platon’s Thought
• Transformation of Art in Türkiye
• Tarih Yolunda Tanıdıklarım
• Realm of Examples in Ishraq Philosophy
• Islamic Visual Culture between Theory and Practice
• The Possibility of Talking about Being in Terms of Being: An Analysis Based on Islamic Metaphysical Traditions
• Histrocitiy of the World in Hegel and Heidegger
• A Recently-Emerged Loner in Anatolia
• Tensional Friendship Between Literature and Cinema
• Cicadas and Ants
• Traditional Performing Arts in Ottoman and Cinema
• A New Method in History Investigations: Ottoman Archaeology
• Deification in ancient Greek Philosophy
• Furu-ı Fıqh Books as a Source of Islamic Political Thought
• Cinema at the Crossroads of Philosophy and Literature
• All Felicities Are Possible
• Cinema in the Ottoman Empire from the Period of Autocracy to the World War I
• Dramaturgy in the Texts of Karagöz
• Istanbul, Modernity, and Cinema
• A Shattered Story of a First: On the Beginning of Turkish Cinema
• Literature and Cinema Were Never in Love, Literature is on the Moon hile Cinema is on Earth
• The Metaphysics of Sacred Art
• The past and present of Palestinian cinema
• Something Useful
• Documentary Cinema and the Artistic Adventure of Reality from Literature to Cinema
• Levâmi'u'n-Nûr (Text-Assesment)
• Modernism and House
• General Legal Arrangement Efforts in Ottoman Cinema: The Fate of a Lâyiha
• An Overview of Adaptations of Award-Winning Novels in American and Turkish Cinemas
• Philosophical Hermeneutics and Art
• The Birth of Modern Family and House in Istanbul Since
• Mirâciyye
• Tanpınar and the Third Eye of Ra
• Film as a Material of History
• Ottoman History in America
• A Neighborhood Fiction: İznik Toki Houses
• America and the Making of Modern Turkey: Science, Culture and Political Alliances
• Aesthetic of Third Cinema
• Tanburi Cemil Bey
• Everday Life, Status Groups and the Sayfiye Culture in Kadıköy During the Second Constitunional Period
• Never Leave Me
• Milli Sinema Osmanlı'da Sinema Hayatı ve Yerli Üretime Geçiş
• House Indeed: An Adobe House in Kahramanmaraş
• Understanding Collaborative Partnership Practices in Cultural Heritage Management: Case Study of Maritime Greenwich
• History of Naval in Ottoman
• The Issues Concerning the Origin of Turkish Cinema History
• Cultural Role of Islamic Calligraphy in Houses in the Late Ottoman Period
• From the 19th Century to the Present: Romance, Melancholy and Politics
• Cultural Production Spaces in Ottoman Society
• The Legend of Yaşar Kemal
• The making of a cinema culture through cinema magazines in early Republican Turkey
• Yahşibey Houses
• A Research on Benjamin's Concept of History as a Possibility of Poltical Praxis
• Cinema Between Reality and Magic
• Edirne Uc Serefeli Mosque and the Restorations up to the Republican Period through the Documents
• A Deconstructive Politics of Memory in Dervis Zaim's The Cyprus Trilogy
• İmparatorlukla Cumhuriyet Arasında Mustafa Kemal'in Gazetesi: Hakimiyet-i Milliye (1920-1924)
• The Genius Grandson of the Prophet: Şerif Muhiddin Targan
• The Latecomer Home
• Let Children Play
• Celebratory Poems
• Mesud Cemil
• Historicizing The Novel: Madonna in a Fur Coat as a Literary Event
• Çoker House
• History of a Göynük House: Four Generation Two Architects
• Romantic Guardians of Lost Time: Yavuz Turgul Movies and Nostalgia in the Context of Social Change After 1980
• Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
• Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
• Transformative Impact of the Process of “İstinsâh”: The Instance of Qıssa-i Yûsuf of Yûsuf-ı Meddâh
• The Mute
• Crosroads
• Turkish Cinema and Popular Music
• The Continuities and the Changes of Child İmage in Turkish Cinema from Yesilcam to Arabesk
• The Disaster of the Ideological Intervention on Culture and Art: What the Experience of Socialism Can Teach
• Cultural Policies in the Centennial of the Republic
• The Political Ontology of Communitarianism