KAM ROUNDTABLE MEETINGS

İnsanlık İçin Sanat ve Mimarlık: Murmuration

Melek Zeynep Bulut

11/صفر/1443 04:00 م Salon: VEFA SALONU

• Dervish Lodge Inscriptions in Ottoman Caligraphy
• Paradigmayı Aşalım, Evet ama Nasıl?
• Sanatın Sınırları ve Anlam Yitimi
• İmge ve Metin: Yazı ve Resim Nasıl Bir Araya Gelir?
• Mekana Özgü Sanat Projelerinde İzleyici Olmanın Riskleri
• Mekân / Yazı / Ses: Osmanlı'da Kadınların Camii Hamiliğine İlişkin Bir İnceleme
• II.Bayezid Dönemi Tezhip Sanatı
• Geç Osmanlı Dünyasında Mimarlık ve Hafıza - Arşiv, Jübile, Âbide
• Metaphysical Evil and Art
• Marleau-Ponty and The Logos of Aesthetic World
• Undeclared Notes from the Workshop
• Contemporary Art in Turkiye at the Context of III. International Istanbul Triennial
• The Travelling Storytellers
• Dream (Rüya)
• On the Track of Tale
• The Impact of June 15 Coup Attempt on Turkish Foreign Policy
• Confronting through Foreign Policy: AK Party, Military and Kemalism)
• The Problem of Meaning in Literature, Music and Calligraphy
• Mutual Origin of Art and Philosophy: Techne in Platon
• Album
• The Apprentice (Çırak)
• Architecture in Turkiye in 2000s: Problems and Opportunities
• From Global Security To Global Domination
• Entertainment Culture of Ottoman Istanbul and Karagöz
• Cold of Kalandar
• The Effects of Using Security Frames on Global Agenda Setting and Policy Making
• The Problem of Justice in International Relations and the Islamic World
• The Challenge of Europe's "Now": Time in the Romantic Age Architecture
• Symbol and Metaphor in Paul Ricoeur’s Philosophy
• Justice Problem in International Politics
• Critique of Mimesis in Platon’s Thought
• Transformation of Art in Türkiye
• Islamic Visual Culture between Theory and Practice
• Karagoz and Cinema
• Tensional Friendship Between Literature and Cinema
• Cicadas and Ants
• Traditional Performing Arts in Ottoman and Cinema
• Örencik Houses
• The Women who Built the Ottoman World: Female Patronage and the Architectural Legacy of Gülnuş Sultan
• Economy-Politics of the Turkish Foreign Policy During the AK Party Period
• Cinema at the Crossroads of Philosophy and Literature
• All Felicities Are Possible
• A Trilogy on the House: Bademli - Hacımercan – Yedievler
• The Metaphysics of Sacred Art
• The past and present of Palestinian cinema
• From Art to Truth: Heidegger, Van Gogh, Schapiro, Derrida
• A Wooden Building Cooperative in Afyon
• Documentary Cinema and the Artistic Adventure of Reality from Literature to Cinema
• Global Governance Policy of Turkey as an Emerging Power
• Geometric Patterns in Classical Ottoman Architecture
• Modernism and House
• Social Policy in Turkey: Institutions and Individuals
• An Overview of Adaptations of Award-Winning Novels in American and Turkish Cinemas
• Philosophical Hermeneutics and Art
• The Birth of Modern Family and House in Istanbul Since
• Mirâciyye
• Tanpınar and the Third Eye of Ra
• How happy are the elderly people? Life Satisfaction of Elderly People in Europe and Turkey
• Dar Kapıdaki Mesih: Walter Benjamin ve Politik Felsefesi
• A Neighborhood Fiction: İznik Toki Houses
• Aesthetic of Third Cinema
• Tanburi Cemil Bey
• House Indeed: An Adobe House in Kahramanmaraş
• Understanding Collaborative Partnership Practices in Cultural Heritage Management: Case Study of Maritime Greenwich
• Cultural Role of Islamic Calligraphy in Houses in the Late Ottoman Period
• From the 19th Century to the Present: Romance, Melancholy and Politics
• The End of Slavery in the Ottoman Empire: Politics of International Law and Privacy
• The making of a cinema culture through cinema magazines in early Republican Turkey
• A Research on Benjamin's Concept of History as a Possibility of Poltical Praxis
• The Story of Two Houses in Fatih
• Cinema Between Reality and Magic
• Edirne Uc Serefeli Mosque and the Restorations up to the Republican Period through the Documents
• The Genius Grandson of the Prophet: Şerif Muhiddin Targan
• The Latecomer Home
• Chinese Foreign Aid and The Unga Voting Patterns of the Recipients
• The Expedition of the Cehrin (1698) and The Northern Policy of the Ottomans
• Let Children Play
• From Poet Museums to Poetry Museums: A Design Proposal for Yahya Kemal Museum
• Mesud Cemil
• Historicizing The Novel: Madonna in a Fur Coat as a Literary Event
• Çoker House
• Talk with Eric Broug: On Islamic Geometric Patterns
• The correlation between art and ethics in the context of Kantian aesthetics and the basis of conceptual art
• The Foreign Policy Trajectory of the Islamic Republic of Iran: A Socialization Analysis
• Romantic Guardians of Lost Time: Yavuz Turgul Movies and Nostalgia in the Context of Social Change After 1980
• The Street of Sedat Anar: Sokaknâme
• The Mute
• Ottoman-Southeast Asian Relations
• Crosroads
• Turkish Cinema and Popular Music
• A Life Dedicated to the Dissemination of Law
• Suriyeli Mültecilerin Karar-almalarındaki Risk Tutumları ve Akrabalık Ağları
• Ulema and the Arab Spring: Toward a Comparative Sociology of Intellectuals
• The Disaster of the Ideological Intervention on Culture and Art: What the Experience of Socialism Can Teach
• 18. Asrın İlk Yarısında Osmanlı-Şii İlişkileri ve Osmanlı Hilafeti
• Forty Years of Islamism: A Reading on Atasoy Müftüoğlu's Thought
• Cultural Policies in the Centennial of the Republic
• Osmanlı'nın Para İle İmtihanı
• Notes from Film Set 2: Art Direction
• Modern Türk Sanatını Tartışmak
• Fas'ta İslam Mimarisi: Kuruluşundan Sa'dîler'in Sonuna Kadar
• Karahanlı Devri Mimarisi ve Bezemeleri
• Biyografilerin İzinde Türk Sineması 2: Ne Kadar Gamlı Bu Akşam Vakti
• Biyografilerin İzinde Türk Sineması 3: Film Gibi Yaşadım
• On Salt and Stone: Regime, War and Migration in Syria
• Network Toplumunda Kent
• Turkey's Relations with Middle Eastern Countries: The Rise and Fall of the Quest for Normative Integration
• Post-Western World, Globalization and Turkey
• Edebiyatı Okuma Biçimleri 1: Romanın Sosyolojisi