SAM ROUNDTABLE MEETINGS

The Legend of Yaşar Kemal

Aydın Orak

8 Aralık 2018 Cumartesi 15:00 Salon: VEFA SALONU

• The Euroscepticism in Turkey: An Analysis of PRP (CHP), NAP (MHP), and JDP (AKP)
• Turkish-Persian Literary Relations
• Metaphysical Evil and Art
• Toz Ruhu Movie Talk
• Self-Knowledge in Avicenna and Descartes
• Contemporary Art in Turkiye at the Context of III. International Istanbul Triennial
• The Travelling Storytellers
• Law and Morality: Bounded or Distinct? An Argument on Hart
• Dream (Rüya)
• On the Track of Tale
• Confronting through Foreign Policy: AK Party, Military and Kemalism)
• The Problem of Meaning in Literature, Music and Calligraphy
• Mutual Origin of Art and Philosophy: Techne in Platon
• Album
• The Apprentice (Çırak)
• Architecture in Turkiye in 2000s: Problems and Opportunities
• Turkish Novel ve Politics
• Cold of Kalandar
• Turkish Tradition Theater and Karagöz
• The Challenge of Europe's "Now": Time in the Romantic Age Architecture
• Symbol and Metaphor in Paul Ricoeur’s Philosophy
• Carl Schmitt's Partisan Theory
• Critique of Mimesis in Platon’s Thought
• Transformation of Art in Türkiye
• Islamic Visual Culture between Theory and Practice
• A Recently-Emerged Loner in Anatolia
• Tensional Friendship Between Literature and Cinema
• Cicadas and Ants
• Traditional Performing Arts in Ottoman and Cinema
• Economy-Politics of the Turkish Foreign Policy During the AK Party Period
• Cinema at the Crossroads of Philosophy and Literature
• All Felicities Are Possible
• Cinema in the Ottoman Empire from the Period of Autocracy to the World War I
• Dramaturgy in the Texts of Karagöz
• Istanbul, Modernity, and Cinema
• A Shattered Story of a First: On the Beginning of Turkish Cinema
• Literature and Cinema Were Never in Love, Literature is on the Moon hile Cinema is on Earth
• The Metaphysics of Sacred Art
• The past and present of Palestinian cinema
• From Art to Truth: Heidegger, Van Gogh, Schapiro, Derrida
• Something Useful
• A Wooden Building Cooperative in Afyon
• Silent Sinema and Public Space in Istanbul
• Documentary Cinema and the Artistic Adventure of Reality from Literature to Cinema
• Geometric Patterns in Classical Ottoman Architecture
• Modernism and House
• General Legal Arrangement Efforts in Ottoman Cinema: The Fate of a Lâyiha
• An Overview of Adaptations of Award-Winning Novels in American and Turkish Cinemas
• Philosophical Hermeneutics and Art
• The Birth of Modern Family and House in Istanbul Since
• Mirâciyye
• Tanpınar and the Third Eye of Ra
• Film as a Material of History
• A Neighborhood Fiction: İznik Toki Houses
• Aesthetic of Third Cinema
• Never Leave Me
• Milli Sinema Osmanlı'da Sinema Hayatı ve Yerli Üretime Geçiş
• Understanding Collaborative Partnership Practices in Cultural Heritage Management: Case Study of Maritime Greenwich
• The Issues Concerning the Origin of Turkish Cinema History
• Cinema and Philosophy
• House in the East Blacksea and a New Trial: House of Yaşar
• From the 19th Century to the Present: Romance, Melancholy and Politics
• Cultural Production Spaces in Ottoman Society
• The making of a cinema culture through cinema magazines in early Republican Turkey
• Yahşibey Houses
• The Story of Two Houses in Fatih
• Cinema Between Reality and Magic
• Edirne Uc Serefeli Mosque and the Restorations up to the Republican Period through the Documents
• The Same Man's Story: İsmet Özel and Partisan
• The Challenge of Algorithmic Fiqh
• A Deconstructive Politics of Memory in Dervis Zaim's The Cyprus Trilogy
• Yaralı Erkeklikler: 12 Mart Romanlarında Yalnızlık, Yabancılaşma ve Öfke
• The Story of Impossible Love: Vesikalı Yarim
• The Genius Grandson of the Prophet: Şerif Muhiddin Targan
• The Latecomer Home
• Let Children Play
• Talk with Dudley Andrew
• Mesud Cemil
• Historicizing The Novel: Madonna in a Fur Coat as a Literary Event
• Çoker House
• Talk with Eric Broug: On Islamic Geometric Patterns
• Hybridizing Conflicts and Power Pendulums
• İnsan Varsayımı (I): İnsanca, Pek İnsanca
• Romantic Guardians of Lost Time: Yavuz Turgul Movies and Nostalgia in the Context of Social Change After 1980
• An Urgup Experience in the Context of Locality
• İslamcıların Siyasi Görüşleri 2
• Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
• The Street of Sedat Anar: Sokaknâme
• The Mute
• Crosroads
• Turkish Cinema and Popular Music
• The Continuities and the Changes of Child İmage in Turkish Cinema from Yesilcam to Arabesk
• The Trap
• The Disaster of the Ideological Intervention on Culture and Art: What the Experience of Socialism Can Teach
• From Fasıl to Chorus: Choir as a Standardizing Tool in Classical Turkish Music
• National Vision Movement: Political and Social Transformations
• Film Setinden Notlar: Yapımcılık
• Cultural Policies in the Centennial of the Republic
• Poetry and Economics: On 'Twenty Reasons I Hate John Maynard Keynes'
• Notes from Film Set 2: Art Direction
• Film Setinden Notlar 3: Yardımcı Yönetmenlik
• Film Setinden Notlar 4: Görüntü Yönetmenliği
• Warriors Without Borders? Rethinking Foreign Fighters in Modern Conflicts
• Perdedeki Öykü: Öyküden Sinemaya Uyarlamalar
• Biyografilerin İzinde Türk Sineması 2: Ne Kadar Gamlı Bu Akşam Vakti
• Biyografilerin İzinde Türk Sineması 3: Film Gibi Yaşadım
• Biyografilerin İzinde Türk Sineması 4: Hatıralar, Türk Sinemasında 65 Yıl
• Dünya Sinemasında Peygamber
• Biyografilerin İzinde Türk Sineması 7: Adını Unutan Adam / Benim Kahramanım Türk Halkıdır
• Edebiyatı Okuma Biçimleri 1: Romanın Sosyolojisi
• Artificial Intelligence, Translation and Publishing