SAM ROUNDTABLE MEETINGS

Let Children Play

Hacı Mehmet Duranoğlu

04 أيار, 2019 02:00 م Salon: VEFA SALONU

• The Euroscepticism in Turkey: An Analysis of PRP (CHP), NAP (MHP), and JDP (AKP)
• Turkish-Persian Literary Relations
• Manifestation of Sufi Tradition in the Ottoman Political Thought
• Metaphysical Evil and Art
• Ottoman Philosophical Legacy
• From Fiqh to Law: An Outlook on The Transformation of Law Education in Ottoman
• From Musiki To Music: Ottoman Turkish Music Between Tradition and Modernity
• Toz Ruhu Movie Talk
• Music in Ottoman Education System
• Self-Knowledge in Avicenna and Descartes
• Babanzade Ahmed Naim as a Member of Darulfunun Philosophy Department
• Military Music in Turks: Tug, Nevbet, Mehter
• Geometric Patterns of Süleymaniye Mosque and a Particular Exercise
• Contemporary Art in Turkiye at the Context of III. International Istanbul Triennial
• The Travelling Storytellers
• Law and Morality: Bounded or Distinct? An Argument on Hart
• Dream (Rüya)
• On the Track of Tale
• Confronting through Foreign Policy: AK Party, Military and Kemalism)
• The Problem of Meaning in Literature, Music and Calligraphy
• Mutual Origin of Art and Philosophy: Techne in Platon
• Album
• The Apprentice (Çırak)
• Architecture in Turkiye in 2000s: Problems and Opportunities
• Ethical and Political Thougth of Taşkoprizade
• The Idea and Practice of Justice in the Ottoman Empire
• Turkish Novel ve Politics
• Entertainment Culture of Ottoman Istanbul and Karagöz
• Cold of Kalandar
• Shiites in the Ottoman Empire of the Nineteenth Century
• Ottoman-Spanish Rivalry in the Mediterranean, 1560-1574: Organization, Seapower and War
• The Caliphate in the Ottoman Classical Age
• Barbarians acting in a Courteaus Nonher: Ottoman Diplomacy in the Eyes of Jesuit Priest Paul Tafferner
• Hilafet ve Saltanat
• Turkish Tradition Theater and Karagöz
• The Challenge of Europe's "Now": Time in the Romantic Age Architecture
• Ottoman İstanbul in Flames: City Conflagratıons, Governance and Society in the Early Modern Period
• Symbol and Metaphor in Paul Ricoeur’s Philosophy
• Carl Schmitt's Partisan Theory
• Justice Problem in International Politics
• Critique of Mimesis in Platon’s Thought
• Transformation of Art in Türkiye
• Gabriel de Luetz, Baron and Seigneur of Aramon in Ottoman Territories: His Ambassadorship and Quiddity of Entourage
• The Province of Tbilisi Under the Rule of Tsarist Russia (1878-1914)
• Society and Politics in Ottoman Jerusalem (1703-1789)
• Islamic Visual Culture between Theory and Practice
• An Intellectual Diplomat of The Habsburgs': Busbecq and His Turkish Letters
• A Recently-Emerged Loner in Anatolia
• General Framework of Ottoman Diplomacy in II. Selim’s Reign
• Construction of Ottoman Vîlāyet-i Rûm (patrons-vaqfs-actors of architecture): Yorguc Pasha family's patronage (1429-1494)”
• Tensional Friendship Between Literature and Cinema
• Cicadas and Ants
• Traditional Performing Arts in Ottoman and Cinema
• A New Method in History Investigations: Ottoman Archaeology
• Economy-Politics of the Turkish Foreign Policy During the AK Party Period
• Cinema at the Crossroads of Philosophy and Literature
• All Felicities Are Possible
• Cinema in the Ottoman Empire from the Period of Autocracy to the World War I
• Dramaturgy in the Texts of Karagöz
• Locating an Ottoman Port-City in the Early Modern Mediterranean: Izmir 1580-1780
• Evzahu'l-Mesâlik iilâ Ma'rifeti'l-Büldân ve'l-Memâli̇k / Esâmî-i Büldân
• Istanbul, Modernity, and Cinema
• A Shattered Story of a First: On the Beginning of Turkish Cinema
• Literature and Cinema Were Never in Love, Literature is on the Moon hile Cinema is on Earth
• The Metaphysics of Sacred Art
• The past and present of Palestinian cinema
• From Art to Truth: Heidegger, Van Gogh, Schapiro, Derrida
• Administrative Apprehensions in the Ottoman Provinces: The Civil-Administrative Demands and Attempts for Change in the Uşak District (1908-1919)
• Something Useful
• A Wooden Building Cooperative in Afyon
• Silent Sinema and Public Space in Istanbul
• Documentary Cinema and the Artistic Adventure of Reality from Literature to Cinema
• Industrialization and Urban Development (1850-2000): Sources and New Methods for Historical Research
• Typologies and Atlas of the Ottoman Cities (1450-1700)
• Geometric Patterns in Classical Ottoman Architecture
• Modernism and House
• General Legal Arrangement Efforts in Ottoman Cinema: The Fate of a Lâyiha
• An Overview of Adaptations of Award-Winning Novels in American and Turkish Cinemas
• Philosophical Hermeneutics and Art
• The Birth of Modern Family and House in Istanbul Since
• Mirâciyye
• Tanpınar and the Third Eye of Ra
• Film as a Material of History
• Urban and Neigborhood in Trebizond of Ottoman
• Ottoman History in America
• A Neighborhood Fiction: İznik Toki Houses
• America and the Making of Modern Turkey: Science, Culture and Political Alliances
• Mahalle-i Ma’mure: The Formation and Evolution of an Ottoman Neighborhood in the Last Quarter of the 16th Century
• Aesthetic of Third Cinema
• Tanburi Cemil Bey
• Everday Life, Status Groups and the Sayfiye Culture in Kadıköy During the Second Constitunional Period
• Never Leave Me
• Milli Sinema Osmanlı'da Sinema Hayatı ve Yerli Üretime Geçiş
• House Indeed: An Adobe House in Kahramanmaraş
• Sultan Osman’ın Bastırdığı Üç Nadir Sikke
• Understanding Collaborative Partnership Practices in Cultural Heritage Management: Case Study of Maritime Greenwich
• History of Naval in Ottoman
• The Issues Concerning the Origin of Turkish Cinema History
• Cinema and Philosophy
• Cultural Role of Islamic Calligraphy in Houses in the Late Ottoman Period
• House in the East Blacksea and a New Trial: House of Yaşar
• From the 19th Century to the Present: Romance, Melancholy and Politics
• The End of Slavery in the Ottoman Empire: Politics of International Law and Privacy
• Cultural Production Spaces in Ottoman Society
• Devletin Kahyası, Sultanın Efendisi Mehmed Said Hâlet Efendi
• The Legend of Yaşar Kemal
• The making of a cinema culture through cinema magazines in early Republican Turkey
• Yahşibey Houses
• 18. Yüzyıl Osmanlı’da Savaş Esirleri
• The Evolution of Commercial Institutions and Business Networks in the Ottoman Empire: “British Merchant Families and Individual Merchants in the Levant Trade in the 18th Century
• The Story of Two Houses in Fatih
• A Collective Biography Study of Musicians in the Late Ottoman Istanbul: Patterns, Networks and Music as a 'Profession
• Cinema Between Reality and Magic
• Edirne Uc Serefeli Mosque and the Restorations up to the Republican Period through the Documents
• The Same Man's Story: İsmet Özel and Partisan
• The Challenge of Algorithmic Fiqh
• A Deconstructive Politics of Memory in Dervis Zaim's The Cyprus Trilogy
• Yaralı Erkeklikler: 12 Mart Romanlarında Yalnızlık, Yabancılaşma ve Öfke
• Ottoman Naval Servıces In Red Sea At The Begınnıng Of The XXth Century
• The Story of Impossible Love: Vesikalı Yarim
• The Genius Grandson of the Prophet: Şerif Muhiddin Targan
• The Latecomer Home
• The Expedition of the Cehrin (1698) and The Northern Policy of the Ottomans
• The Postal History of Ottoman Empire
• Talk with Dudley Andrew
• The Ottoman Printing Enterprise: Legalization, Agency and Networks, 1831-1863
• Mesud Cemil
• Historicizing The Novel: Madonna in a Fur Coat as a Literary Event
• Çoker House
• Talk with Eric Broug: On Islamic Geometric Patterns
• Hybridizing Conflicts and Power Pendulums
• İnsan Varsayımı (I): İnsanca, Pek İnsanca
• Romantic Guardians of Lost Time: Yavuz Turgul Movies and Nostalgia in the Context of Social Change After 1980
• An Urgup Experience in the Context of Locality
• İslamcıların Siyasi Görüşleri 2
• Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
• The Street of Sedat Anar: Sokaknâme
• Transformative Impact of the Process of “İstinsâh”: The Instance of Qıssa-i Yûsuf of Yûsuf-ı Meddâh
• The Mute
• Ottoman-Southeast Asian Relations
• Crosroads
• Turkish Cinema and Popular Music
• The Continuities and the Changes of Child İmage in Turkish Cinema from Yesilcam to Arabesk
• The Trap
• The Disaster of the Ideological Intervention on Culture and Art: What the Experience of Socialism Can Teach
• From Fasıl to Chorus: Choir as a Standardizing Tool in Classical Turkish Music
• National Vision Movement: Political and Social Transformations
• Film Setinden Notlar: Yapımcılık
• Cultural Policies in the Centennial of the Republic
• Poetry and Economics: On 'Twenty Reasons I Hate John Maynard Keynes'
• The Center for Global Studies organizes the second meeting of 2023 as a Book-Article. We will discuss the issue of "tajdid" with our teacher Özgür Kavak and the issue of "political tajdid" in the context of political pursuits in the last period of the Ottoman Empire. The meeting will start on Saturday, January 14, 2023 at 15:00 in Şakir Kocabaş Hall.
• Notes from Film Set 2: Art Direction
• Film Setinden Notlar 3: Yardımcı Yönetmenlik
• Film Setinden Notlar 4: Görüntü Yönetmenliği
• Warriors Without Borders? Rethinking Foreign Fighters in Modern Conflicts
• Perdedeki Öykü: Öyküden Sinemaya Uyarlamalar
• Biyografilerin İzinde Türk Sineması 2: Ne Kadar Gamlı Bu Akşam Vakti
• Biyografilerin İzinde Türk Sineması 3: Film Gibi Yaşadım
• Biyografilerin İzinde Türk Sineması 4: Hatıralar, Türk Sinemasında 65 Yıl
• Turkey's Relations with Middle Eastern Countries: The Rise and Fall of the Quest for Normative Integration
• Dünya Sinemasında Peygamber
• Biyografilerin İzinde Türk Sineması 7: Adını Unutan Adam / Benim Kahramanım Türk Halkıdır
• Edebiyatı Okuma Biçimleri 1: Romanın Sosyolojisi
• Artificial Intelligence, Translation and Publishing
• Artificial Intelligence and International Relations: The Possibility of a Global Nopolitical Order