SAM ROUNDTABLE MEETINGS

Mirâciyye

Murat Pay

Friday, April 6, 2018 7:00 PM Salon: VEFA SALONU

• The Euroscepticism in Turkey: An Analysis of PRP (CHP), NAP (MHP), and JDP (AKP)
• Turkish-Persian Literary Relations
• Manifestation of Sufi Tradition in the Ottoman Political Thought
• Metaphysical Evil and Art
• From Musiki To Music: Ottoman Turkish Music Between Tradition and Modernity
• Toz Ruhu Movie Talk
• Divine Perfection in terms of Philosophy of Religion
• Self-Knowledge in Avicenna and Descartes
• Contemporary Art in Turkiye at the Context of III. International Istanbul Triennial
• The Travelling Storytellers
• Law and Morality: Bounded or Distinct? An Argument on Hart
• Dream (Rüya)
• On the Track of Tale
• Confronting through Foreign Policy: AK Party, Military and Kemalism)
• The Problem of Meaning in Literature, Music and Calligraphy
• Conquering the Desert: Christian Asceticism and Monasteries
• Mutual Origin of Art and Philosophy: Techne in Platon
• Album
• The Apprentice (Çırak)
• Architecture in Turkiye in 2000s: Problems and Opportunities
• Turkish Novel ve Politics
• Entertainment Culture of Ottoman Istanbul and Karagöz
• Cold of Kalandar
• Turkish Tradition Theater and Karagöz
• The Challenge of Europe's "Now": Time in the Romantic Age Architecture
• Symbol and Metaphor in Paul Ricoeur’s Philosophy
• Execution style of Karagöz Music
• Jewish Modernization and Religion
• Carl Schmitt's Partisan Theory
• Critique of Mimesis in Platon’s Thought
• Transformation of Art in Türkiye
• Did Karagoz come from Egypt?
• Islamic Visual Culture between Theory and Practice
• Karagoz and Cinema
• A Recently-Emerged Loner in Anatolia
• Tensional Friendship Between Literature and Cinema
• Cicadas and Ants
• Traditional Performing Arts in Ottoman and Cinema
• Örencik Houses
• Economy-Politics of the Turkish Foreign Policy During the AK Party Period
• Deification in ancient Greek Philosophy
• Cinema at the Crossroads of Philosophy and Literature
• All Felicities Are Possible
• Cinema in the Ottoman Empire from the Period of Autocracy to the World War I
• Dramaturgy in the Texts of Karagöz
• A Trilogy on the House: Bademli - Hacımercan – Yedievler
• Istanbul, Modernity, and Cinema
• A Shattered Story of a First: On the Beginning of Turkish Cinema
• Literature and Cinema Were Never in Love, Literature is on the Moon hile Cinema is on Earth
• The Metaphysics of Sacred Art
• The past and present of Palestinian cinema
• From Art to Truth: Heidegger, Van Gogh, Schapiro, Derrida
• Müslüman Kalarak Avrupalı Olmak Çağdaş Türk Düşüncesinde Din, Siyaset, Tarih, Medeniyet
• Something Useful
• A Wooden Building Cooperative in Afyon
• Silent Sinema and Public Space in Istanbul
• Documentary Cinema and the Artistic Adventure of Reality from Literature to Cinema
• Geometric Patterns in Classical Ottoman Architecture
• Modernism and House
• General Legal Arrangement Efforts in Ottoman Cinema: The Fate of a Lâyiha
• An Overview of Adaptations of Award-Winning Novels in American and Turkish Cinemas
• Philosophical Hermeneutics and Art
• The Birth of Modern Family and House in Istanbul Since
• Tanpınar and the Third Eye of Ra
• Film as a Material of History
• Urban and Neigborhood in Trebizond of Ottoman
• A Neighborhood Fiction: İznik Toki Houses
• America and the Making of Modern Turkey: Science, Culture and Political Alliances
• Aesthetic of Third Cinema
• Tanburi Cemil Bey
• Everday Life, Status Groups and the Sayfiye Culture in Kadıköy During the Second Constitunional Period
• Never Leave Me
• Milli Sinema Osmanlı'da Sinema Hayatı ve Yerli Üretime Geçiş
• House Indeed: An Adobe House in Kahramanmaraş
• Understanding Collaborative Partnership Practices in Cultural Heritage Management: Case Study of Maritime Greenwich
• The Issues Concerning the Origin of Turkish Cinema History
• Cinema and Philosophy
• Cultural Role of Islamic Calligraphy in Houses in the Late Ottoman Period
• House in the East Blacksea and a New Trial: House of Yaşar
• From the 19th Century to the Present: Romance, Melancholy and Politics
• Cultural Production Spaces in Ottoman Society
• The Legend of Yaşar Kemal
• The making of a cinema culture through cinema magazines in early Republican Turkey
• Yahşibey Houses
• The Story of Two Houses in Fatih
• Cinema Between Reality and Magic
• Edirne Uc Serefeli Mosque and the Restorations up to the Republican Period through the Documents
• The Same Man's Story: İsmet Özel and Partisan
• The Challenge of Algorithmic Fiqh
• A Deconstructive Politics of Memory in Dervis Zaim's The Cyprus Trilogy
• Yaralı Erkeklikler: 12 Mart Romanlarında Yalnızlık, Yabancılaşma ve Öfke
• The Story of Impossible Love: Vesikalı Yarim
• The Genius Grandson of the Prophet: Şerif Muhiddin Targan
• The Latecomer Home
• Palestinian and Jewish Citizens of Israel in the Identity Security
• Let Children Play
• Talk with Dudley Andrew
• Mesud Cemil
• Historicizing The Novel: Madonna in a Fur Coat as a Literary Event
• Çoker House
• Talk with Eric Broug: On Islamic Geometric Patterns
• Hybridizing Conflicts and Power Pendulums
• İnsan Varsayımı (I): İnsanca, Pek İnsanca
• Romantic Guardians of Lost Time: Yavuz Turgul Movies and Nostalgia in the Context of Social Change After 1980
• An Urgup Experience in the Context of Locality
• İslamcıların Siyasi Görüşleri 2
• Gelibolulu Mustafa Âlî’nin Kayıp Farsça Divanı
• The Street of Sedat Anar: Sokaknâme
• Transformative Impact of the Process of “İstinsâh”: The Instance of Qıssa-i Yûsuf of Yûsuf-ı Meddâh
• The Mute
• Crosroads
• Turkish Cinema and Popular Music
• The Continuities and the Changes of Child İmage in Turkish Cinema from Yesilcam to Arabesk
• The Trap
• The Disaster of the Ideological Intervention on Culture and Art: What the Experience of Socialism Can Teach
• From Fasıl to Chorus: Choir as a Standardizing Tool in Classical Turkish Music
• National Vision Movement: Political and Social Transformations
• Film Setinden Notlar: Yapımcılık
• Cultural Policies in the Centennial of the Republic
• Poetry and Economics: On 'Twenty Reasons I Hate John Maynard Keynes'
• The Center for Global Studies organizes the second meeting of 2023 as a Book-Article. We will discuss the issue of "tajdid" with our teacher Özgür Kavak and the issue of "political tajdid" in the context of political pursuits in the last period of the Ottoman Empire. The meeting will start on Saturday, January 14, 2023 at 15:00 in Şakir Kocabaş Hall.
• Notes from Film Set 2: Art Direction
• Film Setinden Notlar 3: Yardımcı Yönetmenlik
• Film Setinden Notlar 4: Görüntü Yönetmenliği
• Warriors Without Borders? Rethinking Foreign Fighters in Modern Conflicts
• “Hüner ile Güher: A Modern Fable Following Tradition
• Perdedeki Öykü: Öyküden Sinemaya Uyarlamalar
• Biyografilerin İzinde Türk Sineması 2: Ne Kadar Gamlı Bu Akşam Vakti
• Biyografilerin İzinde Türk Sineması 3: Film Gibi Yaşadım
• Biyografilerin İzinde Türk Sineması 4: Hatıralar, Türk Sinemasında 65 Yıl
• Dünya Sinemasında Peygamber
• Biyografilerin İzinde Türk Sineması 7: Adını Unutan Adam / Benim Kahramanım Türk Halkıdır
• Edebiyatı Okuma Biçimleri 1: Romanın Sosyolojisi
• Artificial Intelligence, Translation and Publishing
• The Left's View of Religion in Turkey Between 1908-1974